Bind, 
                Torture, Kill - that’s the weighty title of the 
                brand new SUICIDE COMMANDO album mastermind Johan 
                van Roy tops the charts again. This time Johan deals with serial 
                killers, getting in their minds for thoughts and motives and delivers 
                again a great and hard EBM album that should fill every dance 
                floor. Supported by a tour he put his Belgian Industrial friends 
                INSEKT – I was really looking forward to 
                – and the techno-tribal-trio THIS MORN’ OMINA 
                on the bill. As German back-up Saxon PAINBASTARD 
                joined the trek, altogether a very agile and sweaty billing…
              :: 
                pics ::
              :. 
                PAINBASTARD 
                ~ kicked off very on time and didn’t take 
                any prisoners right from the first second on. Mastermind Alex 
                P. didn’t stand still for any second; he rather aggressively 
                rampaged on the stage and tried to enthusiast every single attendee. 
                Unfortunately his voice was so distorted by his vocoder that he 
                couldn’t talk any sense to the fans. What was really amusing 
                were his devilish lenses glowing thru the dark atmosphere of the 
                stage. His mate Alex K. again stood almost motionless behind his 
                keys being a starkly contrast to the fidget in the forground ;) 
                With songs such as Nervenkrieg and Todesengel 
                PAINBASTARD made the crowd dancing. 30 minutes 
                of pounding electro beats. Great! By the way… Alex P. was 
                the one afterwards heavily rooting for the following bands.
              
              :. 
                THIS MORN’ 
                OMINA ~ as for is a quite strange project. 
                This Belgian trio blends Techno, Trance and Ambient with tribal 
                drums, mostly on an instrumental level. There was only one track 
                with singing (at least I remember). Also the stage setting looked 
                quite different: to the right and to the left each a drummer and 
                in the middle Mika Goedrijk behind his mixer, most time ear heads 
                on one ear hanging. As long as the music followed ambient direction 
                I really liked it a lot. But that techno stuff I couldn’t 
                stand. Nevertheless, interesting show though. 
              
              :. 
                INSEKT 
                ~ switched off the light completely and scurried 
                over the stage by the light of a reading lamp above the text board 
                (doesn’t the singer know his lyrics???). This dark ambience 
                didn’t keep key wiz Eric Van Wonterghem (played in The Klinik 
                too) from wearing sun glasses, as singer Mario Vaerewijck did 
                too, additionally hooded and haunting the stage. Created sound 
                cascades weren’t less dark, partly cold, harsh and clinical 
                EBM/Industrial sounds made the crowd fidget in pleasure. Again 
                singing was distorted, but not that extreme. In between Mario 
                sat down behind his (real) drum kit maltreating it like a maniac. 
                Energy, power and the urge to move were high. A rubber ball couldn’t 
                have jumped faster over the stage. That again made Mario to strip 
                off his hoody, revealing his body and charismatic facial expression. 
                All songs – except D.O.A. – came from the 
                upcoming album entitled Teenmachine, 
                to be released soon. Fantastic show, all expectations got fulfilled. 
                Can hardly await to get me hands on the new album ;)
                Setlist: Isolated, Teenmachine, Pain Inside, 
                D.O.A., Instrumental, Damage Done, Bambi Fucker, Personal Jesus
              
              :. 
                SUICIDE 
                COMMANDO ~ already entered the stage on 11pm 
                and got in with the title track of their new album Bind, Torture, 
                Kill, underlaid by videos on a big screen that were quite 
                bloody. As expected live performance was aggressive, energetic 
                and – regarding the lyrical content – very dark. As 
                it’s known also a Johan van Roy cannot stand still for a 
                second, using the entire area of the stage to assuage his urge 
                to move. Besides tracks from the current album club crusher such 
                as One Nation Under God, Raise Your God weren’t 
                missed out, also a cover version of Tommy Stumpf’s Massaker 
                and the SUICIDE COMMANDO hit par excellence: 
                Hellraiser. SUICIDE COMMANDO delivered a solid 
                show, predictable and unspectacular that was quite short. 50 minutes 
                incl. two encores. 
              
              A great show 
                and an event to dance your souls off. All of these singing fidgets 
                were pure powerhouses, enthusing the fans on its own style. Just 
                taking photos wasn’t that easy. Not enough lights. And did 
                you ever try to get a jumpin’ rubber ball sharp on a photo???